| Year | | Event | Keyword |
| 1911 | | Montague Press founded by Carl Purington Rollins (first time use of | MONTAGUE PRESS |
| Bruce Rogers' Centaur type) |
| 1911 | | Bremer Presse, founded in 1911. | BREMERS PRESSE |
| 1911 | | Montague Press founded by Carl Purington Rollins (first time use of | PURINGTON ROLLINS |
| Bruce Rogers' Centaur type) |
| 1912 | | Flying Fame Press founded by Claude Lovat Fraser, Holbrook | LOVAT FRASER |
| Jackson and Ralph Hodgson, active until first WW |
| 1912 | | Flying Fame Press founded by Claude Lovat Fraser, Holbrook | FLYING FAME PRESS |
| Jackson and Ralph Hodgson, active until first WW |
| 1912 | | Cranach Presse founded by Harry Graf von Kessler. | CRANACH PRESSE |
| 1913 | | Imprint, The, periodical established by Charles Meynell, Edward | IMPRINT, The |
| Johnston and J.H.Mason |
| 1913 | | Spanish. Barcelone art school. In Paris since 1942. Books: La Dame | CLAVÉ, ANTONI |
| de Pique (Pushkin, 1946P; Coplas (1955). |
| 1914 | | Rupprecht Press founded by Fritz Helmut Ehmcke | RUPPRECHT PRESSE |
| 1914 | | Founding of American Institute of Graphic Arts | GRAPHIC ARTS |
| 1916 | | Mall Press founded in London by Emery Walker and Bruce Rogers | ROGERS, BRUCE |
| 1916 | | Mall Press founded in London by Emery Walker and Bruce Rogers | MALL PRESS |
| 1916 | | Mall Press founded in London by Emery Walker and Bruce Rogers | WALKER, EMERY |
| 1917 | | Hogart Press founded by Leonard and Virginia Woolf | HOGART PRESS |
| 1917 | | Beaumont Press, London, closed in 1931 | BEAUMONT PRESS |
| 1918 | | Zapf, Hermann, book and type designer | ZAPF |
| 1919 | | Kleukens Presse founded by Friedrich Kleukens. | KLEUKENS |
| 1919 | | Ovid Press founded by John Rodker in London. Closed in 1920 | OVID PRESS |
| 1919 | | Grabhorn Press founded by Robert and Edwin Grabhorn | GRABHORN PRESS |
| 1920 | | Favil Press founded by P.Sainsbury of London, active until 1961 | FAVIL PRESS |
| 1920 | | Golden Cockerel Press, founded by Harold Taylor | TAYLOR, HAROLD |
| 1920 | | Golden Cockerel Press, founded by Harold Taylor | GOLDEN COCKEREL |
| 1920 | | This technique was common in China centuries ago; after the First | SILKSCREEN |
| World War it was imported, via Japan, into the United States, where |
| it was improved and subsequently it became known in Europe. A |
| fabric screen with a fairly open weave, possibly nylon, is stretched |
| over a wooden frame, and the parts which are not to reprinted |
| through are covered with a varnish. The paper to be printed is |
| placed under the frame and receives the color when it is drawn |
| across the screen (pochoir, Sieb, setaccio) with a rubber blade |
| called a squeegee. The white areas in the print correspond to those |
| parts of the fabric protected by the varnish. |
| 1921 | | Newbery Medal of ALA for the most distinguished book for children. | NEWBERY MEDAL |
| January 17, 2003 | Page 29 of 32 |